This article originally appeared in the December 2019 issue of Professional Sound magazine. By Andrew King Shortly after dropping his widely-acclaimed debut LP, Freudian, Daniel Caesar took over Toronto’s Danforth Music Hall in December 2017 for a series of five consecutive homecoming shows. Every one of them was a
By Eli Krantzberg for Sonarworks Interfaces vs Monitor Controllers Adding a monitor controller to your studio may not be an obvious or sexy choice to bump up your productions, but a good one will enhance your workflow and help get your mixes sounding their best. Referencing between multiple monitors is
This column originally appeared in the August 2019 issue of Professional Sound magazine. By Anthony P. Kuzub With IP audio, copper and glass are not carrying baseband audio or AES3; packets are moving bits, not a voltage representing sound. Audio is converted to a PCM serialized data stream then encapsulated
This article orginally appeared in the February 2019 issue of Professional Sound magazine. By Michael Raine They say that the best lessons are born out of mistakes or difficult situations, and, of course, these can also make for the best stories! But that doesn’t mean these situations are fun
A native of Hamilton, ON, Mark Howard has enjoyed a legendary studio career. Often working as a team with producer Daniel Lanois, Howard has engineered classic albums by Bob Dylan, Neil Young, Tom Waits, REM, U2, Red Hot Chili Peppers, Willie Nelson, The Tragically Hip, Lucinda Williams, and many more.