This column originally appeared in the August 2019 issue of Professional Sound magazine.
By Anthony P. Kuzub
With IP audio, copper and glass are not carrying baseband audio or AES3; packets are moving bits, not a voltage representing sound. Audio is converted to a PCM serialized data stream then encapsulated
This article orginally appeared in the February 2019 issue of Professional Sound magazine.
By Michael Raine
They say that the best lessons are born out of mistakes or difficult situations, and, of course, these can also make for the best stories! But that doesn’t mean these situations are fun
A native of Hamilton, ON, Mark Howard has enjoyed a legendary studio career. Often working as a team with producer Daniel Lanois, Howard has engineered classic albums by Bob Dylan, Neil Young, Tom Waits, REM, U2, Red Hot Chili Peppers, Willie Nelson, The Tragically Hip, Lucinda Williams, and many more.
Mark Edward Lewis is the owner of online education website Cinema Sound. He has over 30 years of experience writing and producing musical scores, re-recording, mixing, developing sound design, editing, writing, and directing. Through Cinema Sound and its production partner, MZed, Lewis has created over 85 hours of audio education
By Michael Raine
Photos Courtesy of Getty Images for NAMM
Last January’s NAMM Show was unlike any of its predecessors. A newly-expanded Anaheim Convention Center allowed organizers to take the annual MI extravaganza into new territories, bridging into the pro audio and live event technology sectors in a bold
