EQing individual channels: “Try to keep in mind, that all sounds have all frequencies and any EQ you do is always a trade-off, or compromise, so it’s important to pay attention to what you’re losing that’s desirable, when you start mercilessly notching out something that offends you. I think a good example is electric guitar because sometimes it’s better to boost either side of what tone is offensive and thereby preserve more of the overall tone rather than notching out something that bothers you.”
Mixing: “Everyone’s first impulse when listening to a band playing, and you’ve got complete control over the mix, is to turn up whatever element of the mix that is too quiet. I think the first thing you should ask yourself is what elements are too loud and are masking what you want to hear. What is bothering you if you can’t hear the guitar for example. Find what’s covering the guitar. See if you can get away with turning something down first before you move something up. Usually in the end, you’ll be less likely to paint yourself into a corner of always trying to turn everything up louder than everything else and consequently running out of headroom and making the overall mix too loud for the audience and everything else goes along with that. Before you turn something up think of what you can turn down to make it sound better.”
Gary Stokes is Sarah McLachlan’s sound engineer and is featured in this issue of Professional Sound.