By Eli Krantzberg for Sonarworks
Adding a monitor controller to your studio may not be an obvious or sexy choice to bump up your productions, but a good one will enhance your workflow and help get your mixes sounding their best. Referencing between multiple monitors is
By Mark Radu
Archimedes, Galileo, Isaac Newton, Albert Einstein… These are some of the greatest minds in physics – people who helped us understand the world around us and the natural laws that govern it, who theorized and experimented, substantiated
This column originally appeared in the August 2019 issue of Professional Sound magazine.
By Anthony P. Kuzub
With IP audio, copper and glass are not carrying baseband audio or AES3; packets are moving bits, not a voltage representing sound. Audio is converted to a PCM serialized data stream then encapsulated
By Jay Lefebvre
Lately, I’ve been using plug-ins… a lot.
I’m a 41-year-old composer-producer and I started working in recording studios right at the end of the 1990s, slightly before the “switch” to the new digital technologies. I’ve recorded with a 24-track Studer A827 alongside the Voyetra
This column originally appeared in the April 2019 issue of Professional Sound magazine.
By Ian Bodzasi
I often see engineers lusting over a particular piece of outboard, microphone, or plug-in that they want to add to their arsenal. Their hope is that if they pick up that one thing, the
