A native of Hamilton, ON, Mark Howard has enjoyed a legendary studio career. Often working as a team with producer Daniel Lanois, Howard has engineered classic albums by Bob Dylan, Neil Young, Tom Waits, REM, U2, Red Hot Chili Peppers, Willie Nelson, The Tragically Hip, Lucinda Williams, and many more.
Mark Edward Lewis is the owner of online education website Cinema Sound. He has over 30 years of experience writing and producing musical scores, re-recording, mixing, developing sound design, editing, writing, and directing. Through Cinema Sound and its production partner, MZed, Lewis has created over 85 hours of audio education
Mark Edward Lewis is the owner of online education website Cinema Sound. He has over 30 years of experience writing and producing musical scores, re-recording, mixing, developing sound design, editing, writing, and directing. Through Cinema Sound and its production partner, MZed, Lewis has created over 85 hours of audio education
[Pictured above: Matt Rogalsky. Photo by Benjamin Nelson]
Matt Rogalsky is an associate professor in the Dan School of Drama and Music at Queen’s University in Kingston, ON, where he teaches sound art, as well as various courses on recording, mixing, and post-production. He is also a location recordist
By Donny Chow
Digital signal processing (DSP) can be separated into two categories: fixed point and floating point. There are a lot of discussions and information available on the two counterparts, yet the concepts are still confusing to many in understanding their differences and how those differences affect real-world products.
