This column originally appeared in the April 2019 issue of Professional Sound magazine.
By Ian Bodzasi
I often see engineers lusting over a particular piece of outboard, microphone, or plug-in that they want to add to their arsenal. Their hope is that if they pick up that one thing, the
A native of Hamilton, ON, Mark Howard has enjoyed a legendary studio career. Often working as a team with producer Daniel Lanois, Howard has engineered classic albums by Bob Dylan, Neil Young, Tom Waits, REM, U2, Red Hot Chili Peppers, Willie Nelson, The Tragically Hip, Lucinda Williams, and many more.
Mark Edward Lewis is the owner of online education website Cinema Sound. He has over 30 years of experience writing and producing musical scores, re-recording, mixing, developing sound design, editing, writing, and directing. Through Cinema Sound and its production partner, MZed, Lewis has created over 85 hours of audio education
Mark Edward Lewis is the owner of online education website Cinema Sound. He has over 30 years of experience writing and producing musical scores, re-recording, mixing, developing sound design, editing, writing, and directing. Through Cinema Sound and its production partner, MZed, Lewis has created over 85 hours of audio education
[Pictured above: Matt Rogalsky. Photo by Benjamin Nelson]
Matt Rogalsky is an associate professor in the Dan School of Drama and Music at Queen’s University in Kingston, ON, where he teaches sound art, as well as various courses on recording, mixing, and post-production. He is also a location recordist
